Arrivals at Tehran, meets and assists at airport and then transfer to Hotel.
After breakfast, visit National Museum and Golestan Palace.
Afternoon, transfer to domestic airport and flight to Kerman. Upon arrival, transfer to hotel and check in.
The National Museum of Iran is located in Tehran, Iran.It is an institution formed of two complexes, including Museum of Ancient Iran (Irān e Bāstān) which was inaugurated in 1937, and the Museum of the (post-) Islamic Era which was inaugurated in 1972.
It hosts historical monuments dating back through preserved ancient and medieval Iranian antiquities, including pottery vessels, metal objects, textile remains, and some rare books and coins. There are a number of research departments in the museum, including Paleolithic and Osteological departments, and a center for Pottery Studies.
The Golestan Palace is the former royal Qajar complex in Iran's capital city, Tehran.
The oldest of the historic monuments in Tehran, and of world heritage status, the Golestan Palace belongs to a group of royal buildings that were once enclosed within the mud-thatched walls of Tehran’s Historic Arg (citadel). It is a masterpiece of beautiful garden and buildings consist of collection of Iranian crafts and European presents from 18th and 19th century.
Golestan Palace Complex consists of 17 structures including palaces, museums, and halls. Almost all of this complex was built during the 200 years ruling of Qajarian kings. These palaces were used for many different occasions such as coronation and other important celebrations. It also consists of three main archives as the royal photographic archive collection 'Album khane', the royal library of manuscripts 'Ketabkhane Nosakhe khati' and the archive of documents 'Markaze asnad'.
Day 2: Kerman
After breakfast, visit Shazdeh garden and Shah Nemat-ollah-Vali tomb in Mahan.
In Kerman, visit Ganj Ali Khan complex.
The Shah Nematollah Vali Shrine is a historical complex, located in Mahan, Iran, which contains the mausoleum of Shah Nematollah Vali, the renowned Iranian mystic and poet. Shah Nematollah Vali died in 1431 aged over 100. In 1436 a shrine was erected in his honor and became a pilgrimage site; with the attention of successive rulers contributing various additions over the centuries.
Shazdeh Garden is a historical Persian garden located near (6 km away from) Mahan in Kerman province.
A garden was built originally for Mohammad Hasan Khan Qajar Sardari Iravani ca. 1850 on this site, and was entirely remodeled and extended ca. 1870 by Abdolhamid Mirza Naserodolleh during the eleven years of his governorship in the Qajar dynasty. The current visible structure dates almost entirely to this second period, and is formally related to similar gardens designed by Nasero Dolleh in Tehran. The construction was left unfinished, due to the death of Abdolhamid Mirza in the early 1890 s.
The Ganjali Khan Complex is a Safavid-era building complex, located in the old center of city of Kerman, Iran. The complex is composed of a school, a square, a caravanserai, a bath house, an Ab Anbar (water reservoir), a mosque and a bazaar.
Ganjali Square: In ancient Iran, the squares of the cities were established near the governorships and were places for gatherings and ceremonies. The Ganjali square is ninety-nine meters by fifty-four meter, and Similar to Naqsh-e Jahan Square in Isfahan and Mir Chakhmagh Square in Yazd, is surrounded by urban elements such as bazaars, Caravanserais and schools.
The Ganjali bathhouse is located on the southern side of Ganjali Square, off a section of Vakil Bazaar known as Ganjali Bazaar. The entrance of the building are painted with ornaments of the Safavid era. An interesting feature of its architectural finish is that the sculptured stones of the ceiling coincide with that of the flooring. It is composed of a disrobing room, cold room and hot room, all covered with domes carried on squinches. The Ganjali Baths are unique works of architecture decorated with exquisite tile works, paintings, stuccos, and arches.
The bazaar is located in southern part of Ganjali Square. Inside, the bazaar is decorated with exquisite plasterwork and wall paintings and although they are 400 years old, they are still well-preserved. The bazaar is 93 meters long and is connected to Ganjali square through 16 iwans and vaults
The caravanserai is located on the east side of the Ganjali Square. Its portal bears a foundation inscription from 1598 composed by calligrapher Alireza Abbasi. The plan of the caravanserai is based on the four-iwan typology, with double-story halls centered on tall iwans enveloping four sides of an open courtyard. There is an octagonal fountain at the center of the courtyard which is chamfered at the corners. The caravanserai measures thirty-one and a half by twenty-three meters. It has a small domed mosque at one corner that measures five and a half by five meters.
Day 3: Kerman - Yazd
After breakfast drive to Yazd (364 km). In Yazd visit towers of silence and Amir Chakhmaq Complex.
Tower of Silence: Cellar Zoroastrians, called the Tower of Silence Tower also known as off. The crypt at 15 kilometers southeast of Yazd Safaieh around the region and on a low-lying sedimentary mountain called Mount crypt is located.
The function of this tower was to bury the corpses. In the distant past corpses to the top of the tower meant to be bird feed. This was done to prevent soil contamination.
Amir Chakhmaq Maidan Square in the city of Yazd is. Yazd Amir Chakhmaq of the market, relying, a mosque and two cistern dating back to the Timurid period is. Relying Amir Flint in 1330 and the mosque, Amir Flint in 1341 in the national index Iran were registered. Amyrchqmaq field, one of the most remarkable collections of historical and tourism is the city of Yazd.
Amir jalaleddin Chakhmaq , captains and rulers of the Shahrukh in solar 8th century when the ruling was Yazd, a set of lean , square, public baths , caravanserais , monasteries , Qnatkhanh and cold water and in so doing promote the buildup of Yazd Fatima Khatun, wife, helped him.
Day 4: Yazd - Isfahan
After breakfast visit Fire Temple and Doulat Abad garden then drive to Isfahan (322 km). On the way visit
Jame Mosque of Na'in. Continue to Isfahan.
Yazd fire whereabouts of the Zoroastrian sacred fire in the city of Yazd and Temple Zoroastrians residing in the city. The main building temples on height of about 21 meters off the ground and in the large yard trees evergreen cypress and pine covered, is located. Figure Forouhar and stone capitals that gives it a special beauty blue pond in front of the building. The temples of properties Altar of the water.
The Hall's main building and a wall of stone capitals flowering gems work of artists from Isfahan. This rock artists in Isfahan shaved and then to Yazd have. Tile journalist Forouhar on the entrance, a tile Yazdi artists and architecture of this building of architecture Corp fire temples was persuaded impact.
Fire inside the fire burns more than 1,500 years remains bright. This fire is the fire temple in LARESTAN that Aghda Yazd was brought and kept clear there was nearly 700 years and then in 522 of Aghda in Ardakan Ardakan, Yazd were also nearly 300 years, and in year, 852 ducks were taken to the city. First, in a neighborhood called Khalaf Ali Khan a great priest in the house called priest Adhargushasb shooter was held in the year 1313 after the construction of the temple was brought into it.
Doulat abad Garden from the gardens of the old city of Yazd in Iran and the rows Fin Garden in Kashan and Shazdeh Garden in Kerman is. Windward adobe building the tallest tower with a height of 33/8 meters known in the world. Dolat Abad Garden in Yazd in late Afsharieh and in 1160. AH by Mohammad Taghi Khan.
The mosque is one of the oldest in Iran, dating back to the 9th century. The interiors however are Seljuki in brick craftsmanship, and therefore allude to the 11th century.
Day 5: Isfahan
Full day city tour of Isfahan to visit Chehel Sotun Palace, Naqsh-e Jahan Square
Include Imam Mosque, Sheikh Lotfollah Mosque, Ali Qapu edifice and Bazaar. After noon visit old bridges of Zayandeh river (Si-o-Seh Pol and Khaju Bridges)
Chehel Sotoun ( “Forty Columns”) is a pavilion in the middle of a park at the far end of a long pool, in Isfahan, Iran, built by Shah Abbas II to be used for his entertainment and receptions. In this palace, Shah Abbas II and his successors would receive dignitaries and ambassadors, either on the terrace or in one of the stately reception halls.
The name, meaning "Forty Columns" in Persian, was inspired by the twenty slender wooden columns supporting the entrance pavilion, which, when reflected in the waters of the fountain, are said to appear to be forty.
As with Ali Qapu, the palace contains many frescoes and paintings on ceramic. Many of the ceramic panels have been dispersed and are now in the possession of major museums in the west. They depict specific historical scenes such as the infamous Battle of Chaldiran against the Ottoman Sultan Selim I, the reception of an Uzbek King in 1646, when the palace had just been completed; the welcome extended to the Mughal Emperor, Humayun who took refuge in Iran in 1544; the battle of Taher-Abad in 1510 where the Safavid Shah Ismail I vanquished and killed the Uzbek King. A more recent painting depicts Nader Shah's victory against the Indian Army at Karnal in 1739. There are also less historical, but even more aesthetic compositions in the traditional miniature style which celebrate the joy of life and love.
The Chehel Sotoun Palace is among the 9 Iranian Gardens which are collectively registered as one of the Iran’s 17 registered World Heritage Sites under the name of the Persian Garden.
Naqsh-e Jahan Square, known as Imam Square, formerly known as Shah Square, is a square situated at the center of Isfahan city, Iran. Constructed between 1598 and 1629, it is now an important historical site, and one of UNESCO's World Heritage Sites. It is 160 metres (520 ft) wide by 560 metres (1,840 ft) long (an area of 89,600 square metres (964,000 sq ft)). The square is surrounded by buildings from the Safavid era. The Shah Mosque is situated on the south side of this square. On the west side is the Ali Qapu Palace. Sheikh Lotf Allah Mosque is situated on the eastern side of this square and at the northern side Keisaria gate opens into the Isfahan Grand Bazaar. Today, Namaaz-e Jom'eh (the Muslim Friday prayer) is held in the Shah Mosque.
The square is depicted on the reverse of the Iranian 20,000 rials banknote.
The Lotfollah Mosque : The Lotfollah Mosque had a secret entrance that spanned underneath the Maidan, from the Palace on the opposite side of the square.
Of the four monuments that dominated the perimeter of the Naqsh-e Jahan square, the Lotfollah Mosque, opposite the palace, was the first to be built. The purpose of this mosque was for it to be a private mosque of the royal court, unlike the Shah mosque|Masjed-e Shah, which was meant for the public
For this reason, the mosque does not have any minarets and is of a smaller size. Indeed, few Westerners at the time of the Safavids even paid any attention to this mosque, and they certainly did not have access to it. It wasn't until centuries later, when the doors were opened to the public, that ordinary people could admire the effort that Shah Abbas had put into making this a sacred place for the ladies of his harem, and the exquisite tile-work, which is far superior to those covering the Shah Mosque.
Ali Qapu is in effect but a pavilion that marks the entrance to the vast royal residential quarter of the Safavid Isfahan which stretched from the Maidan Naqsh-i-Jahan to the Chahar Bagh Boulevard. The name is made of two elements: "Ali", Arabic for exalted, and "Qapu" Turkic for portal or royal threshold. The compound stands for "Exalted Porte". This name was chosen by the Safavids to rival the Ottomans' celebrated name for their court : Bab-i Ali, or the "Sublime Porte"). It was here that the great monarch used to entertain noble visitors, and foreign ambassadors.
Shah Abbas, here for the first time celebrated the Nowruz (New Year's Day) of 1006 AH / 1597 A.D. A large and massive rectangular structure, the Ali Qapu is 48 m (157 ft) high and has six floors, fronted with a wide terrace whose ceiling is inlaid and supported by wooden columns.
On the sixth floor, the royal reception and banquets were held. The largest rooms are found on this floor. The stucco decoration of the banquet hall abounds in motif of various vessels and cups. The sixth floor was popularly called (the music room) as it was here that various ensembles performed music and sang songs. From the upper galleries, the Safavid ruler watched polo games, maneuvers and horse-racing below in the Naqsh-i-Jahan square.
The Bazaar of Isfahan is a historical market and one of the oldest and largest bazaars of the Middle East. Although the present structure dates back to the Safavid era, parts of it are more than a thousand years old, dating back to the Seljuq dynasty. It is a vaulted, two kilometer street linking the old city with the new.
Khaju Bridge is a bridge in the province of Isfahan, Iran, which has been described as the finest in the province. It was built by the Persian Safavid king, Shah Abbas II around 1650, on the foundations of an older bridge.
Serving as both a bridge, and a dam (or a weir), it links the Khaju quarter on the north bank with the Zoroastrian quarter across the Zayandeh River. Although architecturally functioning as a bridge and a weir, it also served a primary function as a buildingand a place for public meetings. This structure was originally decorated with artistic tilework and paintings, and served as a teahouse.
Allāhverdi Khan Bridge, popularly known as Si-o-seh pol “The bridge of thirty-three spans” is one of the eleven bridges of Isfahan, Iran and the longest bridge on Zayandeh River with the total length of 297.76 metres (976.9 ft). It is highly ranked as being one of the most famous examples of Safavid bridge design.
It was constructed by the finance and the inspection of Allahverdi Khan Undiladze chancellor of Shah Abbas I, an ethnic Georgian, it consists of two rows of 33 arches from either sides, left and right.
There is a larger base plank at the start of the bridge where the Zayandeh River flows under it, supporting a tea house which nowadays is abandoned due to the shortage of water and the river drought.
Day 6: Isfahan
Full day city tour of Isfahan to visit Hasht Behesht Palace, Shakin Minarets, Jame
Mosque, Armenian Vank Cathedral.
Hasht Behesht, meaning "Eight Paradises" is a Safavid era palace in Isfahan.
It was built in 1669 and is today protected by Iran's Cultural Heritage Organization. Of more than forty mansions which existed in Isfahan during the rule of Safavids, this is the only one left today.
Monarjonban of one of the city's history Aref called " Uncle Abdullah Karladany " it was buried. The remarkable thing about this monument is that by moving a minaret , minarets also comes to movement and mobility should be noted that each have a width of nine meters tall minarets are seventeen yards. Uncle Abdullah historic stone written over 716 AH shows that in the period of Öljaitü Aylkhan is Muslim.
In Iran, some minarets have the ability to shake the so-called Monarjonban say to them. Iran is one of the most Mnarjnbanhay in Isfahan and another in the city of Ardakan and are located in the Khranq.
The Jāmeh Mosque of Isfahān is the grand, congregational mosque (Jāmeh) of Isfahān city, within Isfahān Province, Iran. The mosque is the result of continual construction, reconstruction, additions and renovations on the site from around 771 to the end of the 20th century. The Grand Bazaar of Isfahan can be found towards the southwest wing of the mosque. It is a UNESCO World Heritage Site since 2012.
This is one of the oldest mosques still standing in Iran, and it was built in the four-iwan architectural style, placing four gates face to face. An iwan is a vaulted open room. The qibla iwan on the southern side of the mosque was vaulted with muqarnas during the 13th century. Muqarnas are niche-like cells.
Holy Savior Cathedral is a cathedral located in the New Julfa district of Isfahan, Iran. It is commonly referred to as the Vank (Վանք), which means "monastery" or "convent" in Armenian language.
The cathedral was established in 1606, dedicated to the hundreds of thousands of Armenian deportees that were resettled by Shah Abbas I during the Ottoman War of 1603-1618.
The varying fortunes and independence of this suburb across the Zayande River and its eclectic mix of European missionaries, mercenaries and travelers can be traced almost chronologically in the cathedral's combination of building styles and contrasts in its external and internal architectural treatment.
Day 7: Isfahan – Tehran
After breakfast, check out hotel and drive to Tehran, in the way visit Abyaneh Village.
Evening transfer to International airport and flight to your home.
Abyaneh is a village in Barzrud Rural District, in the Central District of Natanz County, Isfahan Province, Iran. At the 2006 census, its population was 305, in 160 families. Characterized by a peculiar reddish hue, the village is one of the oldest in Iran, attracting numerous native and foreign tourists year-round, especially during traditional feasts and ceremonies. An Abyanaki woman typically wears a white long scarf (covering the shoulders and upper trunk) which has a colourful pattern and an under-knee skirt. Abyunaki people have persistently maintained this traditional costume. On top of the village sits the ruins of a Sasanid era fort. The dialect of the people of Abyaneh has preserved some characteristics of the Middle Persian language, the language of the Sassanian Persia. Since June 2005, the village has been undergoing archaeological excavations for the first time ever, as a result of an agreement between Abyaneh Research Center and the Archaeology Research Center of the Iranian Cultural Heritage and Tourism Organization (ICHTO).
There is a 2500 year old Zoroastrian fire temple located in the basement of what is a current house in Abyaneh. "I worked there as a doctor in 1983. One of my patients showed it to me and was attached to the lower level of his house.It was astonishing to see such old relics. It was like reliving history."